![]() During these evening sessions, the musicians tried different instruments, evidently deciding on the three basset horns as the best instrumentation. ![]() 229, for their own amusement at Mozart's home. It is very likely that Stadler, accompanied by two other players, read through Mozarts Divertimentos, K. 581, in September 1789 and the Clarinet Concerto, K. For Stadler, Mozart wrote the Clarinet Quintet, K. One of the champions of the basset horn in Mozart's time was Anton Paul Stadler (1753-1812), clarinetist and great friend of the composer. It is also slightly "whiney" in comparison to B flat or A clarinets. The basset horn is much like an alto clarinet, but with a smaller bore, producing a different color. He also used the basset horn to symbolize sadness in the Masonic Funeral Music, K. ![]() Shortly afterward, he employed the instrument in his first Vienna opera, Die Entführung aus dem Serail. 361/370a, composed in the spring of 1781. Mozart first used the basset horn in the Serenade for Winds, K.
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